Categories
2019 Malayalam Mohanlal

Can give Ittimani a skip! (2019)

Mohanlal has been looking after older women in his films for a while now.

Ittimani (ooops spoilers ahead) is no different. If in Drama he helps to fulfill a dead woman’s last wish in the choice of her site of burial, here he goes a step further to marry an older woman, the widow who lives next door, his mother’s closest friend, his classmates’ mother to teach her children basic lessons in how to look after aging parents.

I can understand the intention of the film makers in choosing such a pertinent subject matter, and use their film to create an awareness about it to the public. However, the story does not pull the audience to emotionally be involved in it. By the time or rather if the audience has patience to sit through until that revealing climax) the script and direction has already played spoilsport in driving them away or lulling them into boredom with stupid jokes in the name of the slapstick.

Drama, last year, Baba Kalyani a few years ago, Snehaveedu, at a time of Sheela’s second coming, when she wanted to work with Lal are all stories about a younger (?) male protagonist in combination with an older mother figure whom he helps in a crisis, as a son, police officer, family friend or/and as part of his job. This series of being helping hand is becoming a little more than tiring especially when Mohanlal the superactor alone cannot pull audiences to watch his film anywhere.

Lucifer was mass film with thorough script and excellent direction. It is difficult to believe he ia the same actor who chose to be Lucifer, earlier this year, & the Ihikara Pakki cameo that overshadowed Nivin Pauly’s titular Kayalamkulam Kochunni.

About Ittimani, watch at your own risk, level.of patience, state of mind, levels of stress

Categories
Hindi Malayalam

3 Blind Men

I happened to watch oppam (a 2016 malayalam film) and kaabil (a 2017 hindi film) one after the other in a span of a few days. And believe me, watching two films with two enthusiastic blind men in the lead did nothing to my psyche or sympathy for anybody or the film. But it made me go find Yodha (an older 1992 Malayalam film) on you tube and watch it all over again for its treatment of the same handicap.

I should neither be judgemental nor be critical about a film. But what irked me most about both the newer films were how they glorified the blindness aspect of their lead characters from the start when these characters are shown to be self reliant and do not think of their blindness as a handicap to live by.

Therefore I go back to Yodha, where nothing of the blindness is highlighted in extravagant proportion to make the star, that is Mohanlal. It could be because the star becomes blind mid way through the film when the plot of the film has entered a crisis. Ashokan, the character played by Mohanlal, finds it as a handicap, but tries to adjust to his blindness without much fuss, learns to horne his other senses and use them to the hilt. He did gave a persistent teacher & mission to get him into the groove of things. The rest as Coleridge has said we need to suspend and just believe.

When a Malayalee today sits to watch Oppam, they may see a Mohanlal who has already been trained to live with his blindness, a training he was given in Yodha back in the 90s. In that way, the film is a commemoration of sorts. However, nothing explains how and where the Hrithik Roshan of Kaabil receives his training from

Oppam (2016) Malayalam | dir: Priyadarshan | Mohanlal, Nedumudi Venu

Kaabil (2017) Hindi | dir: Sanjay Gupta| Hrithik Roshan, Ronit Roy

Yodha (1992) Malayalam | dir: Sangeeth Sivan | Mohanlal, Madhu, Siddhartha, Jagathy

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