Categories
2019 DQ Malayalam

Oru Yamandan Premakadha (2019) | DQ

A Malayalam language film |a DQ fan like me couldn’t sit thru. I re-watched with a determination when it was re-telecast on one of the channels a second time. Teaser

A different love story of two people who met “very briefly” once (think back to babies holding hands in Tamil/Hindi film Khushi) wait for each other all life long, never to meet again face to face, but are in love with that unknown to-arrive-lover Lallu (DQ) who is in search of that girl when the sparks will fly, violins will play a la SRK in Main Hoon Na. The story of the film lies somewhere in the middle of the search for this girl while he and his happy go lucky friends – Soubin is wasted, Salim Kumar has a slightly more responsible role than the prof in the Jimmiki Kammal film, Vishnu Unnikrishnan, also the co-scriptwriter, the blind man with a horrendous singing voice – go gallavanting after their daily contractual building painting jobs. (They have jobs, yes & they earn well.) This carefree life set in a picturesque Kadamakudy Islands is disrupted (no surprises there 😜) when Lallu finally finds his spark, but …

Most of the details during the first half become relevant by the end of the second, but they still do nothing to engage the audience watching a predictable story, motifs, stock characters indulging in cheap humour. DQ does choose to be a mass hero, however he hasn’t been able to sink into this character as effectively as he was Aju (Bangalore Days), Charlie (Charlie) and Adityan (Vikramadityan)

Yamandan means huge, it can also mean mass as in a mass film. Though it checked all its ‘mass’ elements, it failed to bring them cohesively into an arresting storyline.

Therefore, let’s run with the idea of Yamandan as unrealistically huge, as in “ethra manoharamaya nadakkatha swapnam” a dialogue from the Mohanlal-Srinivasan film Nadodikkttu.

Lallu (we see) & Diya (Nikhila Vimal) (we are told) are in search of that rare spark when they meet their partner as Madhuri Dixit’s character in Dil Toh Pagal Hai waits for the ishaara (a sign) from the upperwala. Therefore, they aren’t interested in anybody else, even when others are interested in them. The film is bildungsroman in genre to the extent of showing Lallu from pre-birth, birth, growing up & coming of age into a slightly more serious about life person, earning the support especially of his strict advocate father (Renji Panicaker and his many father roles is a post in itself) and his younger techie go getter brother (Arun Tharian of Aanandam fame). The scriptwriters – Bibin George (the villain) and Vishnu get meaty roles, so much so that, I thought this film was more a platform for their onscreen presence than for DQ to perform as a easy going rustic, school dropout with a good heart from an affluent family.

The better parts, the film nostalgia during a wedding eve mashing up popular songs. Highlight, that bit with Ashokan

Dileesh Pothan & Suraj Venjaramoodu

Watch at your own risk! I’d always say I told you so 😜

Categories
2018 2019 Malayalam Nivin Pauly Telugu

Who is #HeyJude’s #DearComrade?

**a few spoilers, here & there**

All I could hear while I was watching Hey Jude (2018) was the word comrade echoing at the back of my head. Crystal (Trisha) being there for Jude (Nivin Pauly) to boost his self confidence, teaching him social skills, getting rid of his fear of the water & people, encouraging him to pursue his passion in life and finally, helping him to understand his peculiar condition related to Asperger’s Syndrome is as Bobby (Vijay Devarkonda) stands with Lily (Rashmika Madanna). In Dear Comrade (2019), Bobby tries to convince Lily to break free from the social shackles of fear to fight an established institution to acheive her life long dream of playing cricket for India.

Crystal like Bobby checked all traits of a comrade as a person’s support system in good times & bad, Lily had listed in her reply to the press at the end of her film.

The Malayalam film Hey Jude, and Dear Comrade (released parallely in 4 South Indian languages) set in entirely different contexts are primarily about friends who help and are there for each other. Released in subsequent years, they come together here as I happened to watch them one after the other over a period of a week. They are available on Amazon Prime if you wish to watch them, together, or/and separately 😀.

Hey Jude is Tamil lead actor Trisha’s entry into Malayalam films, Nivin Pauly’s second film with director, ShyamaPrasad. Siddique, as always is mind blowing, he and Vijay Menon bagged Kerala State Awards (2019) for their parts. Neena Kurup as Jude’s mother essays a full length role after long, brings in the remaining cast.

I watched Dear Comrade for Vijay Devarakonda. I turned his fan after his Arjun Reddy. He is brilliant in the film as well, his chemistry it Rashmika sizzles. Shruthi Ramachandran as Jaya holds fort. The music is addictive in the voice of Sid Sriram. There, your reasons to watch it, but the story drags, its run time could have been cut shot by at least half an hour, and may be a little more spotlight on Lily.

Fate brings Jude to Goa to meet Crystal, Lily to her cousin Jaya’s wedding to Bobby. They become friends, and comrades who are more supportive of their lives than their families could ever be. Jude’s lack of social and people skills make his problems more visible and tangible to the audience in comparison to Lily’s fear of the societal gossip and slurs. While Crystal has the task of gradually introducing Jude to a society that he can’t make sense of Bobby is up against Lily’s years of upbringing that stops her from fighting the bureacracy for their misbehaviour.

They are the best comrades, Lily and Jude could get to achieve their life goals.

Both the films begin and moves with the lives of their male leads for quite a bit until their women make their entry. In Lily’s case, the audience realizes she is a state level cricket player (a crucial piece of info to the plot) much later after she is introduced. It is clear from the epilogue that Lily’s fight with the cricket board is the crux of this film set in the larger canvas of an intense love story. However, the focus is slightly more on the Comrade in Bobby. As seen in the poster, his life changing physical & emotional experiences in at least 4 different looks is highlighted more than Lily’s ‘the problem.’ As Bobby is the one who instills in Lily the courage to fight, the film becomes an ode to Lily’s Dear Comrade, yeah?!

If this pattern is taken as a point of reference for camaradarie, Hey Jude would have provided enough screen space to Crystal’s trip to Shimla which is very similar to Bobby’s rides to Ladhak to rid him off his demons. Crystal is equally in need of help for her bipolar disorder which the script underscores through Dr Sebastian (Vijay Menon) her father and a psychologist. Nevertheless, the film is ultimately about Jude’s journey to being less of a misfit, excelling in his niche area of expertise (clue is in the poster) thereby finding recognition from the larger society. His transformation from being mocked to taking him seriously, by his family and colleagues. Therefore, his story is rightly named after him, Yeah?!

Which begs me to ask the question, what of the female Comrade Crystal, the first person to instil confidence in Jude to pursue his dreams. What of Lily’s transformation to stand up to her accusers on Bobby’s unwavering support? What is the significance of their roles as the helper/helped in their films ..

What if, Hey Jude was named Thank you Crystal on the lines of Dear Comrade, and Dear Comrade was titled, Hurrah! Lily after Hey Jude

Ponder ..

Categories
2019 Malayalam slapstick Uncategorized

Janamaithri (2019) 😀

Janamaithri follows the lives of 4 sets of people on the inaugural night of the “Oru chayakku oru jeevan” an initiative by the local Peerimedu police station of the land, to spread a positive image of the police force among the people in their jurisdiction. The idea is to distribute a cup of tea each to every citizen driving a vehicle/in a vehicle passing through their main junction to keep them from sleeping at the wheel to avoid accidents at night. Such a promising idea, thought the DYSP played by Irshad, who wants to make his “brilliant” initiative go viral statewide to fetch a name for himself in the police circles as part of the Janamaithri Day.

Such good intentions as we have seen before ought to go out of hand in this slapstick genre to make it comical 😜. But all the story threads are tied at the end.

Soon after Samyukthan (Saiju Kurup) finishes his supper at a roadside shop on his Kochi-Kannur trip, his tummy begins to bubble and rumble. As he is driving in the hope he can contain his urge to go to a loo until he reaches his destination, he is stopped by our friendly police force for his free cup of tea. He tries his best to decline the offer, but he is forced to drink it, pose with them for pictures as per orders from their DYSP. As one of them records the moment, the police tea threateningly increases the pressure in Samyukthan’s tummy dramatically spiralling his urge to reach out to a loo asap. Seeing his inability to drive further without taking a dump in the open, the Sub Inspector (Indrans) assigns Constable Ashraf (Sabumon) to him to find a toilet in a nearby house in this midnight hour to relieve himself. And thus begins the fun … of knocking at doors, sleeping people woken up, their valid doubts about people knocking at their door at a night hour, questions, explanations, requests in the backdrop of Samyukthan’s increasing discomfort in his tummy. Meanwhile, the police serve tea unknowningly to two sets of thieves, take pictures and videos with them, share them with their DYSP who in turn religiously posts them to his Facebook page in the hopes of being reposted on the main page of the Kerala Police.

I laughed a lot, the lol kinds at confusions and bloopers of the characters, and in anticipation of their actions and predicament further in the film. Be it Irshad, Indrans, Vijay Babu as the elder brother & upholder of his family business. Shit always brings in a weird kind of funny humour to the stories, taboo topics on civil tables, but they are part of our daily inevitable routines. Remember Piku?

One time watch 😀 laugh riot.

Directed by John Manthrickal, he co-wrote Ann Maria Kallippilanu & Alamara.

Aside:

  • The title, Janamaithri, in connection with a police station brought back memories of Jeethu Joseph’s Drishyam, a film centred around a Janamithri police station in that town.
  • Coming on the heels of Mammotty’s Unda, I’d love to make a comparison but other than the premise of the Kerala Police, the two films of different genres.

A rating guide to films here …

  1. I loved it .. ðŸĨ°
  2. Watched it more than once. (I watched #Virus about 5 times) ðŸĨ°ðŸĨ°
  3. Had to watch another film to wear off the hangover 🙄
  4. Slept off in the middle of it ðŸ˜ī
  5. Didn’t like the first half, wanted to run away from the theatre. Post interval was superb ðŸĪŠðŸ˜ƒ
  6. Popular opinion vs mine ðŸĪ”
  7. Watch at your own risk. I didn’t enjoy the film 🙃😈
Categories
2018 Chackochan Malayalam Nivin Pauly Shanti Krishna

Kuttanadan Marpappa (2018) ðŸ™ƒðŸ˜ˆ

Kuttanadan Marpappa is a lovable but horrible film, if I may so myself. Released over Easter of 2018, the film stars one of my fav actors, Kunjachacko Boban (KB), with the girl from Alamara, Aditi Ravi.

One of the reasons, most Malayalees would have gone to watch this film in the theatre is Shanti Krishna. Her second film in her come back after Njandukalude Nattil Oridavela (2017)

Dharmajan and Pisharody bring up the supporting cast.

John Paul (KB) nicknamed marpappa for obvious reaons is a wedding photographer in Kuttanad & parts. Therefore the title, therefore it revilves round him.

The film seems to work in scenes – an entry scene of the lead actors, the so called Villain, the stereotypical bragging newly rich NRI family, a strong willed widow, lousy comedy in most parts, and songs. There is a Tamil dance song, a dream sequence song, sad song, and many in between songs at every turn. Then there are people, Soubin comes in, Nadir Shah comes in, Salim Kumar comes in .. almost like the director had to give them scenes as they are his friends .. you know.. horrible enough?

But I wasn’t angry at the makers at all, I’m still trying to find out what the reason is, therefore, the lovable in the description.

The one joke about Google map was good! As most of us often experience!

Watch at your own risk, is all I can say!

A rating guide to films here …

  1. I loved it .. ðŸĨ°
  2. Watched it more than once. (I watched #Virus about 5 times) ðŸĨ°ðŸĨ°
  3. One time watch 😀
  4. Had to watch another film to wear off the hangover 🙄
  5. Slept off in the middle of it ðŸ˜ī
  6. Didn’t like the first half, wanted to run away from the theatre. Post interval was superb ðŸĪŠðŸ˜ƒ
  7. Popular opinion vs mine ðŸĪ”
  8. Watch at your own risk. I didn’t enjoy the film 🙃😈
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