Categories
2020 Hindi

Vidya Balan as Shakuntala Devi (2020)

Anu Menon’s film Shakuntala Devi straddles a difficult territory between the public & private lives of a public figure. She goes about this by focussing on the lives of the said famous woman & the other key women who shapes her life, her choices to love, hate, discard & be possessive about them on her terms while she continues to live a life she owns on her merit.

A major focus is on her daughter, and a tale of a strained relationship between the daughter Sanya Malhotra as Anu Banerjee and her mother played by Vidya Balan.

Menon’s motive of making a film on the chinks in the relationship of mothers & daughters is clear from the beginning. If it isn’t, the repetition of mothers & daughters thrice by three different sets of people towards the end should drive it in. Shakuntala Devi & Anu Banerjee happen to be a part of it.

Did she need to feature them to tell this tale of a World Famous Mathematical Genius is a question to ponder about. Since she chooses them the next question is, do we really want to know the inside lives of a world famous personality — the not so always smiling for the camera, sanguine cheerful & vibrant persona on screen & shows? This clash in a fan’s perspective is brought in through the character of Ajay, Anu’s husband brilliantly executed by Amit Sadh.

Then, what is it like to be a famous personality when the camera and mics are not focused on them. Do they carry the fame inside their homes, or do they leave it at the doorstep and walk in to lead “perfectly normal” lives like the rest of the world? What is their definition of ‘normal’?

Vidya Balan owns her role. Sanya Malhotra looks a little weird in her outfits & hairstyles but she brings out the irritation and strain of living in the shadow of a famous mother well. If only the script was meatier then this film would have been an equally engaging one like Menon’s earlier outing Waiting.

One thing I did after watching the film is, I went searching for Shakuntala Devi’s videos to see her perform her genius. Youtube has a few of them ☺

Categories
Hindi

Deepika Padukone as Piku (2015) with Irrfan Khan & Amitabh Bachchan

My roommate prepared me for Soorjit Sircar & Juhi Chaturvedi’s Piku. She & I, and the rest of her friends, and mine bonded over our motions & emotions in those two years. I don’t know about the others. The lucid talks made me less inhibitory about discussing the noises, pains and smells in ‘the punishment room’  in front of an audience.  I had entered a new phase of vocal —  it had a vocabulary of yellow mango pulp like,  lot of gas & farts, so much grumblings, dub dub dub droppings and jet spray. Craig Raine definitely had not met all of us before he wrote ‘A Martian sends a Postcard Home.’

Her day began by sipping water, a total of 3 litres between 4 am and 7, before she finally headed to the loo. The morning I spotted her drinking from the bottle in her sleep from across the room I was certain this habit has been in place for a while. There was no water spillage on the bed, the floor, not a drop dribbled down to her neckline from the corners of her lips wetting her teeshirt and the bedsheet. Wow!

“I’m building pressure” she replied when I asked her later. “What pressure?” She gave me a graphic description about the water path inside her body systems.  I shouldn’t have asked.

The initial discomfort gave way to plenty of home remedies for good motions. Did you know snacking on guavas can increase the frequency of motions during the day preventing bleeding & butt bruises? That the Indian way of sqautting on the floor is easier to build better pressure, and drinking luke warm helps to empty bowels quicker when we wake up late for a 6 am yoga class. I’ve had these discussion but in the privacy of a doctor’s cabin during a bout of illness. This every day chitchat on bowel movements with strangers-soon to be friends like critiquing  the supper menu in the hostel mess notice board was new. As Irrfan’s character asks Deepika’s Piku, is this the normal? We had fallen into a routine.

Over the years, I figured people grew loquacious when they have an audience to listen to their shit  trauma. There are folks with severe tummy troubles —  as extreme as constipation because they are visiting a different city, a runny tummy as there is too much chilly in a dish,  fart fart & flatulence, transform your room into a gas chamber from an overload of pulses in sides & or over eating on the seasonal jackfruit seeds, a case of irritable bowels, eating disorders and medical ailments. There are also the occasional undigested tales of the seeds of gergins and okra, the colourful pink and green initiated by the beetroots & spinach. I tell you, there is no dearth of starting points even when you have a cast iron stomach and regular bowel movements. Therefore, joining in as Irrfan did over that lunch conversation adding grosser details, than sitting out making poker faces is the best option.

Come to think of shit, it is just food exiting our bodies through a different hole in a different shape after a long winding journey across the torso. My appetite has run dry like Piku’s date’s did a couple of times as the first few times can be torture if you are not used to this kind of open talk. Piku confirmed Incan sit through and lol as a result of my training.

When somebody took shit seriously they made a delightful film with an exquisite cast to deliver the message. She prepared me for Bhasker’s mundane distress.  Without her I may have cringed a little, taken a while, and would have had to watch Piku again to unwind over shit & enjoy the nuances of Piku. 

Categories
Hindi Malayalam

3 Blind Men

I happened to watch oppam (a 2016 malayalam film) and kaabil (a 2017 hindi film) one after the other in a span of a few days. And believe me, watching two films with two enthusiastic blind men in the lead did nothing to my psyche or sympathy for anybody or the film. But it made me go find Yodha (an older 1992 Malayalam film) on you tube and watch it all over again for its treatment of the same handicap.

I should neither be judgemental nor be critical about a film. But what irked me most about both the newer films were how they glorified the blindness aspect of their lead characters from the start when these characters are shown to be self reliant and do not think of their blindness as a handicap to live by.

Therefore I go back to Yodha, where nothing of the blindness is highlighted in extravagant proportion to make the star, that is Mohanlal. It could be because the star becomes blind mid way through the film when the plot of the film has entered a crisis. Ashokan, the character played by Mohanlal, finds it as a handicap, but tries to adjust to his blindness without much fuss, learns to horne his other senses and use them to the hilt. He did gave a persistent teacher & mission to get him into the groove of things. The rest as Coleridge has said we need to suspend and just believe.

When a Malayalee today sits to watch Oppam, they may see a Mohanlal who has already been trained to live with his blindness, a training he was given in Yodha back in the 90s. In that way, the film is a commemoration of sorts. However, nothing explains how and where the Hrithik Roshan of Kaabil receives his training from

Oppam (2016) Malayalam | dir: Priyadarshan | Mohanlal, Nedumudi Venu

Kaabil (2017) Hindi | dir: Sanjay Gupta| Hrithik Roshan, Ronit Roy

Yodha (1992) Malayalam | dir: Sangeeth Sivan | Mohanlal, Madhu, Siddhartha, Jagathy

Categories
2017 2018 Hindi Jyotika Remake Tamil Vidya Balan

Tumhari Sulu (2017) & Kaatrin Mozhi (2018)| Vidya Balan _ Jyotika

Tumhari Sulu is the new late night show on Radio Wow. I don’t remember the crucial twists in the film, so I don’t know what brought about the end! 😏 I felt it was a little too sudden, the transformation .. (spoiler alert, if you thought the film was an original)
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a one time watch since I watched it once 😉, I left the theatre and didn’t carry the film with me type of .. ..Oh wait. I loved what she did with the matar (peas). Matar aloo ya matar paneer 😂😂. Certain anecdotes are just spot on beautiful, also the stereotyping……..The plot still sits within patriarchal tones about the usual complications which arises when the homemaker bags a job of a radio jockey for a late night show. When she isn’t available for her school going son and the husband like she used to be, awake at breakfast as she hosts a late night call in show at the radio station which demands of her to be on late night shifts (no surprises there) the people who initially ‘encouraged‘ her begins to blame her for the train wreck that follows….of course, we have seen that before in English Vinglish with Sridevi (Hindi), How old are you with Manju Warrier (Malayalam)….My entertainment was the people next to me who had a sarcastic say for everything on screen 😂

..Tumhari Sulu is a 2017 Hindi film with Vidhya Balan in the lead, with Manaav Kaur & Neha Dhupia beautifully supporting her. The Hawa Hawaiii song.. it is there in the background.

There is a tamil remake with Jyotika directed by Radha Mohan is called Kaatrin Mozhi (2018)Filed in #filmtales #talkingfilms

Categories
2014 Hindi

Chef – skip the Bollywood remake 😣 watch the Hollywood original 🥰🥰

The Bollywood adaptation of the Hollywood film Chef has all the ingredients of a successful romcom! But it fails because it seems all plastic & lifeless in spite of the verdant arial shots, Padma Priya in a modern makeover (she looked good though :)) & Milind Soman.

Everything about this film — Roshan K’s (Saif Ali Khan) fight with the critical customer, his rage, frustration, the Skype hour with his son, the father-son bonding to the sarcasm of the Malayalee house helps, the impromtu song & dance from lungi wearing singer Raghu Dixit, discovering the Rotizza 🙄 the final chase, the refurbished bus seems to be put there for the sake of putting them there.

.. the stacato dialogue… 🙄🙄😏

You get it, I hope? I don’t want to go on .. it never ran for long after a very promising trailer. I had to rewind it thrice over as I fell asleep each time I tried to watch it as I was curious to know how the transformation occurred, so I did stay awake to for once in between breaks.

Verdict: Can give it a miss! A better time well spent would be to re-watch Jon Favreau carving out that portion of meat, and making that cheesy overload sandwich.. oooooooo! Yum.

No such drool worthy moments here with Saif! (Disappointed) 😣

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